Bio of B.E. Stock

BIO OF B. E. STOCK B. E. Stock has been writing poetry since the age of eight, and has lived in New York City since age 16. She studied...

Hi, friends. I have some great news. My second collection of poetry is being published by Xlibris next year. In fact, it will come out on my 70th birthday. Meanwhile, I am continuing to generate new things. Here's a story from Bay Ridge Tales. Hope you enjoy it.

DONNA BELLEVILLE

She rounded the corner with her black, colorful cane, saw Jennifer, and smiled. “Well, I haven’t seen you for a while. Where are you going this fine day?”

“It really is. I’m meeting someone to go rowing in Central Park.”

“That sounds like fun. I’m visiting my friend in Crown Heights, we’ll take in a furniture and jewelry show at the Brooklyn Museum. Will you be taking the express bus?”

“No, the B16. They’re messing up the east side with some a-thon, so we have to go in from the west. And since there’s no elevator around here, I’m getting the train at Prospect Park.”

A jay called out, then flew across the street and into an evergreen tree by the coops where the bus stop was. His blue feathers contrasted with the green of the needles. They were silent a while, looking across the street to where the river sparkled in spring sunlight, which turned it a baby blue color. Trees were budding, and sparrows kept up a constant chatter in the bushes by the coops.

A bald man went by with a little white dog on a leash, a suit in a plastic bag over his shoulder, and a cell phone in his other cheek.

“Hi Eddie,” the lady said, waving to get his attention.

“Hi Donna,” he responded, “you’re looking fabulous as always.”

“So are you, may I say. How’s Buster?”

“Roof!” said the dog, coming up to snuffle her shoes.

Jen moved away; she didn’t like dogs.

Donna petted Buster and cooed over him while Eddie chatted on the phone. Then Eddie said he had to get home, and he and Buster passed on.

“It’s funny, I shudder when I see dry cleaning. I grew up in an apartment over a dry cleaner. It had the strangest smell. The vent could be very noisy. And it created water conditions. The tenants sued, and got a break in the rent, but we had to sign a health waiver.”

After a few more minutes, Jen went to look at the schedule. “The bus is ten minutes late,” she announced.

A young woman with a stroller arrived and stood next to her and began using her phone to find out where the bus was. She didn’t leave, so Jen figured it was coming soon.

When the B16 arrived, the air conditioning had been activated. “Hi Joe,” said Donna brightly. “Are we going to the North Pole today?”

The bus driver groaned. “They set it at Cropsey. I don’t know what they’re thinking.”

The back of the bus was already half full of teens in team uniforms; several elderly Oriental people got on at the nursing home in what looked like church clothes. More teens came in at 86th Street near the high school. There were also shoppers, two of them with aides. On other trips, Jen and Donna had single seats on the right, but now they sat together in a two seat.

“Eddie is such a dear,” Donna said. “He’s from the old days – introduced himself the day I moved in, runs over to hold the door, helps with my bags. The new owners aren’t like that. They’re like shadows in the night.”

“I know what you mean,” said Jen. “We’ve been here 20 years and still don’t know any of the long time residents. As for the others, we just about say hello and they move out again.”

The bus crawled to McKinley Park, through Chinatown and into Borough Park, with an almost complete change of passengers. It turned a corner and jerked to a halt; the doors opened, and the access ramp lifted and went down. In came a fragile, white haired, pale woman, clutching her bulky walker. The front seats were now full of young adults, as were the single disabled priority seats. No one moved.

“Can someone please let this lady sit down?” Joe called out wearily. Finally he stopped the bus.

Then a white haired man in a two seat moved over to the window, and the frail lady sat on the outside, awkwardly holding onto her walker. The first time the bus jerked to a stop, the walker got out of her hands and bumped the knee of the young man across the aisle, who told her it was all right, and held the walker for her until she was ready to leave.

“Well, I never,” said Donna.

That was the start of it.

“In the old days, this would never have happened,” said Donna. She nodded vigorously several times, and her dangling earrings bobbed up and down. Her curly gray hair was cut short all over her long head, and her ears seemed almost as long as her head. “Why, I remember once I gave a smart answer to my grandpa, and my mother called out, “Donna Belleville!” Then she slapped me so hard it knocked me to the ground. I got up crying, and my brain was spinning, but nobody paid me any attention. I learned my lesson that day.”

For a minute, Donna was silent, and everyone was relieved. Then she started again. “My mother always told me to respect my elders. In those days, everyone was polite. It was yes sir, yes mam. You obeyed the teacher, the police, the boss. There’s no respect today. The idea that an elderly person would be standing while I was sitting – it wouldn’t enter my head. We’re less civilized than the savages now. They respect their elders.”

Again she stopped, but a dangerous flush had spread over her made up cheeks; her lips trembled. “And how can they learn anything in school?” she demanded in a higher key. “Worried that another student will assault them or do something to the teacher? Worried that they’ll be attacked in the bathroom? How can anyone teach? Worried about a riot in class or being shot or beaten up? Worried about being sued because a child went out in the hall and was raped? There’s no discipline today.”

Joe glanced at Donna in his mirror. The kid in front of them turned up the music on his phone. A woman in the back of the bus made a call. “I’m getting by the cemetery now,” she said loudly. Several people commented on the weather. Jen watched a hawk circle in the sky over the southern tip of Green-wood; she took out a bus schedule and began to calculate when she might be getting the B16 home. Her heart throbbed because she thought Donna might turn on her. Instead, Donna looked straight ahead and continued her dissertation.

At Crooke Avenue, Donna rang, got up a little unsteadily, and made her way to the back door. She touched the yellow tape, and the door opened for her. The voice of the bus told everyone the door was opening and closing. Briefly, all was quiet. The white haired man, whose disabled partner had departed long ago, took a hankie out of his trouser pocket and mopped his forehead. The phone lady hung up and gave a loud sigh. Two teenage girls in plaid skirts giggled.


Jen soon had a new seat mate, who put on make-up, smelled of coconut, and snapped her chewing gum at regular intervals. But Donna, at least, was in the hands of her friend, and the Brooklyn Museum.

Love, Barbara


Hi Friends.
Schools are the main industry in my neighborhood of Bay Ridge, and there are all sorts of wonderful opportunities for children and youth to take part in sports, arts, charity and so on. There's ballet for kids, art for kids, poetry for kids. However, there is not much for adults. Apparently we grow up and then we make money and that's it. Obviously, I do not agree. However, when you go to the few poetry readings there are, it seems they have a lot of smut, hostility, self-pity, money and drunkenness. Is that what "adult" means - as in pornography? I think not. I may try to work out some problems in verse and stories, but always have in mind the desire to enhance, to seek beauty and inspiration. "Without vision, the people perish." This does not mean there is no struggle or pain, obviously.

I want to share a few poems from my manuscript for Further Collected Poems, which I hope to publish soon.


CUPPING WATER

Having no cup, I used
My hands, holding the palms
Even, the fingers bent
A little, tightly joined,
Squeezing out all the air.

Water from the spigot
Beaded with cold held fast,
As four times I bent down
To suck it like a bird.

My eyes reflected there;
Even the sun glanced in.
Now, the old saying false,
What else is possible?



THE MIRACLE WORKER

First I heard the unearthly screech and growl
Of an animal whose name I did not know,
And ran into the living room alarmed,
To hear my husband say it was the film.
It was Helen Keller, beautiful in a white dress,
Terrifying in her rage and despair, the face
Distorted out of human recognition.
There was the famous bull fight at dinner
With the teacher who would not give up, though the father
Wanted to stay and have an adult conversation.
Half blind, seeing something no one
Could imagine, driven by nightmare memories
And a hope that was almost insane, Anne Sullivan
Had landed. The family resisted her in vain.
Her language of hands brought light to the child.
Walls of order and peace were built around her.
In the end, the memory of water broke the shell;
The deaf and blind found language, and could speak
And therefore love, and Anne had found a home.
And so it continued, everyone still deaf,
Blind, angry, groping in radiant dark,
Falling and misunderstanding each other,
As people do in three dimensional color.
And where is the Sullivan to train my hands?



BODY

Sacred conveyance in which I travel, heedless
Of your miraculous design and delicacy
(World of balance and cooperation, impulses and slow
Unseen processes, world of tiny battles that maintain
My precarious well-being, object of love and solicitude
To the One who alone made you, spinning water and clay
And fusing bits of molecules without touching anything,
Infusing the spark of life, the nuance of intelligence, into
The coils of the brain, connecting the neurons
In the spine, forming the cones behind the eyes,
The winding ways of the cochlea, the tongue’s muscle
And taste buds, the innards with their acids and cilia,
Shaping the feet with their nails and heels),
How am I so angry when I must deal with you,
Feel pain, and be at times preoccupied with some aspect
Of you that is imperfect, when I must go for help
And submit your holy precincts to the search
Of strangers at a tremendous loss of time?

There is not an atom of you that is not also myself.

And when we are parted it will be a tremendous rending,
An unbearable blast that tears trees out of the earth
And brings darkness at midday, and sends this poor little soul
Naked and screaming into the universe, to be enfolded
In the Original Hands and straightened and expanded
And connected, made ready for you, who will then be rid
Of all we have done to you from before the beginning.
Until then, speak to this terrified tyrant inside you.
I will try to listen.


Love, Barbara
Hi friends.
I'm in the process of putting together a second book of poems, all from 2001-2016. I want to share a few things I found, which I had forgotten about.

Nap Song

Go to sleep my child
While the robin sings outside -
Do not sob or weep,
Though the dove's whooshing wings
Indicate that something
Curious will soon occur.
Perhaps you will awake too late
And find only a dull moon!

Everything will still be here
And your small, tired self refreshed
Ready to drink its fill
Of world again and be inspired.

+

How She Cries Now

This is no delicate stream, no discreet sniff
That could be addressed by a lacy handkerchief,
And there is nothing you dare to say
To chase these sudden tears away,
Big hot tears of frustration and rage
That spill out on the offending page.

Wrung from the gut, these sobs of grief
Will not give way or give relief:
The more she cries the stronger she seems to be;
The blinder she becomes the more she can see.

Her pain will demand its satisfaction -
This seeming weakness will lead to action.

+

What the Old Man Said

Love is the hardest thing
Anyone ever tried
Even teen idols sing
It could mean suicide

But it could be much worse
Decades of slavery
Abuse's silent curse
Eyes not daring to see

The grind of helpless guilt
Still unable to stop
Beauty now all unfelt
Bitterness to the top.

And all that can be healed
Unlike living for money.
Bury gold in your field.
Trade bee stings for honey.

+
Hi, friends. I went to a friend's house in the Hudson Valley this weekend, and we visited Locust Grove, the residence of Samuel F. B. Morse, a remote ancestor of mine on my mother's side. He was a respected painter and a supporter of other painters, who went to the Royal Academy. Like many artists, he had trouble making a living, and for years scraped out an existence traveling and doing portraits. Then he became obsessed with developing the electric telegraph, which he eventually did, going through tremendous difficulties before, during and after. He was part of the Hudson River School, but frankly, while I like many of the paintings of that school, his on the whole are not the ones I like. Still, I am glad to think of him as one of my forebears.

Here are poems from a couple of years ago.


JULY 4 NEIGHBORHOOD

No more parade; a shopping cart squeals
On a quiet avenue; next door
A brown dog complains over and over.
The distant fireworks we hear
Will be surrounded by excitement
For the makers of horns and banners
In an unfree country across the Pacific.

Somewhere, zeal will puncture people
Before turning the weapon on itself.
Somewhere, a child will play with fire
And blow off a hand or an eye.
But freedom together has become a rune
Whose key no one can discover.

We harangue one another over and over:
“Learn to be free!” rehearsing our speech
In an empty ballroom, a bathroom mirror,
While, below, the progression
Of tasks and pleasures grinds to a halt.

We should at least attend the wake
If we cannot make the celebration.


ONE SMALL NOTE

Some would say, why not give it up
Entirely, as just another fantasy –
The  notion of a god who cares, the universe
Holding together like one gigantic song,
The magical mornings when my pen flows
With mysteries I could not have concocted?
God, the creative, have served their purpose,
And now I could shed all my baggage
And learn about money and influence
And do a whopping charity fundraiser
Before my body collapses and is burned.

But then how would I face the song
Of a thrush, or the redbird’s flash?
How would I feel in the cold ocean
Or before an empty, silent sky?
The blood in my ears would accuse me
And the birch in the meadow would turn away its leaves.

Even the skyscrapers, even Liberty,
Those symbols of eager hope and pride,
Would stand witness against me:
That I had one small note to hold,
And just because I was tired, or hurt,
Or lonesome, or bored, I let it fall.


+

Happy Memorial Day.

Love, Barbara